Tobias, aged 13, lives in an East German city and has learned to get by on his own. Then Max moves into the neighboring apartment, and he keeps it just like Tobias. He likes to determine how things should go by himself. Without further ado, Tobias decides to pass Max off as his father!

Ji-hoon, who is a loving husband, is always worried due to his premature ejaculation. He can only last for 10 seconds after insertion, so he just keeps caressing his wife for a long time, as he always feels afraid that he will finish quickly. At her wife's urging, he began consulting with a psychiatrist. When Tae-woo, another patient with a similar problem whom he met at the hospital, discovers his illness, the two become true friends who share each other's pain.

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Seven-year-olds Michael and Rachel are best friends who do everything together and who have vowed to remain friends "forever and ever and can't be parted for never and never". Unfortunately, the society that Michael and Rachel live in is one of religious intolerance. The fact that Michael is Irish Catholic and Rachel is Jewish is a point of conflict for just about everyone in the community.

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故事发生在一个虚拟的奇幻世界之中。在这里，相对应的两人将手牵在一起，所产生的心灵连结“宁录”能够成为拥有着强大力量的武器。在传说中，这个世界上存在着掌控着一切的神，只要将神打败，就能够实现内心最强烈的愿望。长久以来，握手者们都将打败神作为目标，不断地战斗着，而一切因果的汇聚点就在大阪。高槻手纲（齐藤壮马 配音）是对机械十分着迷的男子高中生，一次偶然中，他在研究室里邂逅了昏睡中的少女芥川小代理（诸星堇 配音）。手纲牵住了小代理的手，想不到小代理竟然从昏睡中醒来，两人成为了搭档。

山下智久饰演研究寄生虫的怪人天才科学家纽仓哲。他右手装着像机器人一样的假手，买下箱根的巨大植物园将温室改造成自宅兼研究所，与各种各样的动物朝夕…

Jack is in the midst of a major robbery, which leaves him injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed.

Yvonne Rainer's first film, "Hand Movie" (1966), was shot by fellow dancer William Davis when Rainer was confined to a hospital bed, recovering from major surgery and unable to dance. The resulting six minutes of footage is a sustained close-up shot of Rainer's hand against a grey background as it stretches and contracts, bends and points, performing the kinds of everyday, quotidian movements that characterize her pioneering minimalist choreography.

Yvonne Rainer's first film, "Hand Movie" (1966), was shot by fellow dancer William Davis when Rainer was confined to a hospital bed, recovering from major surgery and unable to dance. The resulting six minutes of footage is a sustained close-up shot of Rainer's hand against a grey background as it stretches and contracts, bends and points, performing the kinds of everyday, quotidian movements that characterize her pioneering minimalist choreography.